Tales from the paint booth
/Mixing up some colors for Dee J's 624T. Going for a shade close to Daphne blue in honor of his new daughter, Daphne.
It photographs more vibrant than it is in reality, but here it is as of now.
Dots
/Drilled out and installed MOP dot inlays in Dee J's fretboard. Didn't hurt a bit!
Pull the clamps....
/Yep. Looks like a neck!
Sully Guitars endorsee Dee J Nelson news!
/Check out Sully endorsee Dee J Nelson; he recorded the guitars for WWE wrestler Ryback's new theme song!
Last update
/Sorry for the lack of updates, and I'll be sure to keep you all much more informed! Going to be very busy for the rest of the year.
Some CAD work in preparations of things to come...
Fun with scarf joints: added some ebony between the maple. Should create a nice little black band after the neck has been shaped.
Sculpting out a neck heel on a neck thru Galaxy V. This one will be going to see my pal Mike Learn in the very near future....!
Decided to have some fun on the back of this Spanish Cedar reverse Raven body and put the jack on the back!
Maple laminated neck blank...
...and I'm spent!
624T for Dee J Nelson
/Yep. Here it is - a lefty Sully 624T for Dee J Nelson. Body is Alder, neck is Maple, fretboard is Rosewood. Stainless steel frets. Color will be Daphne blue in honor of his young daughter, Daphne. Two humbuckers and a hardtail bridge. Good times!
Even more updates....
/Yep...more!
First up...swamp ash Catfish with a CRAZY Angel Step Maple top. This will be dyed purple. Can't wait!
Mocked up with a neck:
Let's do a T-style 624!
cut out....but it's backwards! That can only mean one thing: Dee J Nelson!
Gluing headstock "ears" on a three piece maple neck for Dee J...
Some "mini slash" inlaid fretboards and something fun from Doug West - mirrored bullethole inlays!
More updates....
/Currently in paint:
Paint
Updates....Sully '71 sightings!
/Yep....it's the Sully '71 (two of them, actually)! Bodies and necks are Korina. there is another that is Alder. They'll all have maple tops, and am deciding bridge options and configurations. One will most likely have a floyd, and one may be semi hollow.
Scraping binding
/Hi Sully,
I just watched your video on scraping binding. I understand that there are two ways to deal with binding and the color coats. First, you can spray the color on the binding and then scrape it off, or second, completely tape off the binding. Is this right?
What about the clear? Do you do the same or do you completely cover the binding with clear and not scrape it off? Thanks.
As far as I'm concerned, you should always tape off binding. The issue that you can run into is that the top of the binding (that you see when looking at the face of the guitar) can be challenging to mask off because it’s such a small strip. The general idea is to mask the binding off, shoot your color, then scrape the binding on the face of the guitar. Binding is not scraped after clear coats; it should be covered just like the color.
