On Sunday, July 17th, I arrived at Los Angeles International Airport, and after having lunch with friends, I made my way down to Grover's shop in Laguna Hills. This was going to be an incredibly busy and rewarding week. We begun each day at the shop at 6am, finish around 8pm, go get dinner, chat, and do it all over again. Of course while I was there, there were many other guitars being built and Grover had to make sure that everything was moving along as scheduled. I have to say that I've yet to meet anyone who works harder than Grover Jackson.
These are the first Sully guitars to incorporate CNC technology, and while I had a fair amount of the geometry already completed, there was still some work to do before we could begin the test guitars. The drafting brought up interesting conversations and philosophies that I hadn't really thought a whole ton about; because I've done the work by hand, I've relied more on what Grover refers to as organic geometry. The issue with that is I can't just look at the HAAS CNC and say "here's how I do it." The neck shape that we worked out is very comfortable (yet still very Sully), the back contour designs have been refined, and I'm really happy with the overall look and feel.
Another thing was just how wonderful it was to finally work with others. Since I've been building guitars, I've never had anyone right next to me to say "do it like this", and while learning some of their methods, it was so great to be able to show what I was working on to someone else and ask "like this?" Hearing a response of "yeah, that's perfect" from Luis or Grover's analogy of inlay fitment to that of grilled asparagus "some resistance at first, but then you get a satisfying snap" are just a few things that come to mind.